about this piece
取水墨洇散之态，凝于敦实陶瓷器身。 玄，是器物通体幽沉的黑釉，如古墨沉夜；洇，描摹白釉自上而下淌落、晕开渗透的流动痕迹。 玄黑为底，白釉洇染，把宣纸水墨的洇晕意境，浇筑于陶瓷实体之上，静穆厚重，又带着写意的随性。 圆角方墩摒弃尖锐棱角，亮面玄黑釉质沉静深邃，泼洒而上的白釉顺势垂坠流淌，自然形成长短不一的淌痕。没有预设图案，每一道洇纹皆是烧制生成的独一印记。 坚硬瓷体承载流动釉色，静的体量与动的釉痕相互对冲。
The essence of ink wash painting is captured and solidified on the body of a robust ceramic vessel. "Xuan" refers to the deep, dark black glaze covering the entire piece, like ancient ink settling in the night; "Yin" depicts the flowing, spreading, and permeating traces of the white glaze as it drips from top to bottom. With a deep black base and white glaze spreading, the ethereal beauty of ink wash painting on rice paper is poured onto the ceramic body, creating a serene and weighty yet free-flowing effect. Rounded corners and a square base eliminate sharp edges. The glossy, deep black glaze is calm and profound, while the splashed white glaze flows naturally, forming streaks of varying lengths. There is no pre-designed pattern; each streak is a unique mark created during firing. The hard porcelain body bears the flowing glaze, the static volume and the dynamic glaze creating a striking contrast.
