about this piece
竖棱成直楹，端静自成序；取竖棱如楹，端直而立之意。筒身挺拔规整，外壁竖向棱纹自上而下贯通，线条利落分明；顶面围圈分段刻纹，与筒身竖纹相互呼应，秩序均衡。通体暖棕釉色温润醇厚，亮润釉面衬出棱条起伏的明暗层次。 删去多余曲线与繁复纹饰，依靠规整竖向肌理塑造雕塑感。一物多用，可作坐凳、花几、空间侧边陈设台。 静立室隅，如陶土铸成的立柱。线条端直守序，釉质温和内敛，诠释东方中正平和、条理有序的器物美学。
The vertical ridges form upright pillars, exuding a sense of solemn stillness and natural order; the term "taking vertical ridges as pillars" conveys the meaning of standing upright and straight. The cylindrical body is tall and straight, with vertical ridges on the outer wall running continuously from top to bottom, the lines are clean and distinct; the top surface features segmented engravings on its surrounding rim, echoing the vertical ridges of the cylindrical body in a balanced and orderly manner. The warm brown glaze covering the entire piece is mellow and rich, with the glossy surface highlighting the varying shades created by the undulating ridges. Remove redundant curves and intricate decorations, and create a sculptural effect by relying on neat vertical textures. It serves multiple purposes, functioning as a stool, a flower stand, or a side display table in a space. Standing quietly in the corner of the room, like a pillar cast from pottery clay. With straight and orderly lines and a mild and restrained glaze, it embodies the Eastern aesthetic of balance, harmony, and methodical order in objects.
