about this piece
出自陶渊明《归去来兮辞》「云无心以出岫」。岫为山峦峰谷，云岫，云雾漫绕山峦。取云起山岫，曲廓绵延之意。整器一体成型无拼接，摒弃繁杂雕琢，以纯粹连续曲线勾勒山峦起伏之势。两端弧足婉转收卷，平直台面静展其上，动静相生，虚实相映。 通体高光亮黑漆面，澄澈内敛，光线沿曲面缓缓游走，坚硬材质被柔缓线条赋予诗意。既可静坐休憩，亦可陈设雅物，一器兼具坐具与雕塑美感。如山岫静立室内，流云藏于曲廓之间，删繁就简，以极简形制诠释东方留白与自然山水意境。
It originates from the line "Clouds drift unintentionally from the hills" in Tao Yuanming's "Ode to Returning Home". "Xiu" refers to mountain peaks and valleys, and "yun xiu" describes clouds winding around the mountains. It captures the essence of clouds rising from the hills and the sinuous, continuous contours. The entire piece is molded in one piece without any splicing, eschewing intricate carvings and using pure, continuous curves to outline the undulating form of the mountains. The arched feet at both ends curve gracefully inward, while a flat surface rests quietly above, creating a harmonious interplay between movement and stillness, substance and void. The entire piece features a glossy black lacquer finish, clear and understated, with light gently gliding along its curved surfaces. The hard material is endowed with poetic charm by the soft, flowing lines. It serves both as a seat for quiet repose and a display for elegant objects, combining the aesthetic appeal of seating furniture and sculpture in one. Like a mountain peak standing quietly indoors, with flowing clouds hidden among its curves, it simplifies to the essence, interpreting the Eastern concept of "leaving blank" and the serene landscape of nature through minimalist form.
