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汀，浅岸荒滩，对应台面灰绿如荒苔的窑变底色；燎，器物边缘金褐斑驳釉痕，似野火轻燎过后，自然晕开的灼迹。 沉静灰绿基底，边缘漫染燎金，轻盈三足铁架，把荒岸苔野的自然刹那凝作一件边几。取郊岸苔汀之色，记釉火轻燎的一瞬。 圆形陶瓷台面铺展哑光灰绿釉面，如河滩覆上一层薄苔，器物外缘自然晕染开斑驳金褐窑变，似火光漫过留下的随性痕迹，每一件的燎纹分布皆不重复，独属于窑火的偶然诗意。 底座采用黑色金属三足支架，线条纤细利落，向外舒展张开，和厚重陶瓷台面形成轻与重的强烈对比。希望捕捉自然里不经意的痕迹。 模拟荒滩苔岸的底色，借窑火流动，让金褐釉色沿器物边缘漫开，不去控制纹路走向，尊重烧制带来的随机美感。 以纤细三足金属架承载厚重瓷板，追求重与轻、粗犷釉面与利落线条之间的平衡，让充满野趣的器物，柔和融入日常居室。
"Ting," a shallow, barren bank, corresponds to the moss-gray base color of the kiln-fired tabletop; "Liao," the mottled golden-brown glaze marks on the edges of the pieces, resembles the naturally spreading traces of a light scorch after a wildfire. A serene gray-green base, edged with scorched gold, and a lightweight three-legged iron stand, captures the fleeting natural beauty of a barren, moss-covered bank in a single side table. It captures the color of the moss-covered bank, recording the momentary scorch of the glaze. The round ceramic tabletop is covered with a matte gray-green glaze, like a thin layer of moss on a riverbank. The outer edges of the pieces are naturally scorched with mottled golden-brown kiln-fired patterns, like the casual traces left by a passing fire. Each piece has a unique distribution of scorched patterns, a unique and accidental poetic quality belonging to the kiln fire. The base uses a black metal three-legged stand with slender, clean lines that extend outwards, creating a strong contrast between light and heavy with the heavy ceramic tabletop. It aims to capture the unintentional traces of nature. Simulating the base color of a barren beach and mossy shore, the golden-brown glaze spreads along the edges of the vessel by the flow of kiln fire, without controlling the direction of the pattern, respecting the random beauty brought about by firing.
