about this piece
棱瓣凝清质，静器蕴芳华；取棱瓣聚敛，静蕴芳华之意。器身自上而下由宽渐收，顶面一圈圆润瓣状轮廓层层舒展，立面竖向棱面垂直贯通，线条刚柔平衡。柔和弧瓣与利落折面彼此交织，承袭中式莲瓣石刻美学，删繁提纯，化为当代雕塑形制。 陶瓷哑光深灰质感沉静厚重，肌理细腻内敛。一物两用，既可作坐凳，亦可为边几。 静立室内，似一朵敛放的莲华，不事张扬，自有端庄气韵。于简洁轮廓之中窥见东方古典造像意趣。
The ridged petals embody a clear and pure essence, while the serene vessel contains hidden elegance; the name conveys the meaning of gathering ridged petals to quietly nurture hidden grace. The body of the vessel gradually narrows from top to bottom, with a series of rounded petal-like contours unfolding layer by layer on the top surface. The vertical ridged planes on the facade run straight through, with a balanced interplay of rigid and soft lines. The gentle curved petals interweave with the sharp folded surfaces, inheriting the aesthetic of Chinese lotus petal stone carvings, simplifying and purifying the design into a contemporary sculptural form. The matte dark gray texture exudes a serene and substantial feel, with a delicate and understated grain. This piece serves a dual purpose, functioning as both a stool and a side or flower table. Standing quietly indoors, like a reserved lotus flower, unassuming yet inherently dignified and charming. The essence of classical Eastern sculptural artistry can be glimpsed within its simple outlines.
