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灵感取自 slipper 便履的松弛概念，做一把没有扶手的低伏坐椅。 一边是牛毛皮料自带的温润野性，一边是实木劈斫而出的锋利几何支架。不去调和两种材质的反差，让柔软与锐利直接碰撞，既是可休憩的坐具，也是一件静止的空间雕塑。座面与靠背通铺黑色马毛，绒感细密，暗光下流转柔和的自然毛流肌理，沉静又富有高级野性质感。底部炭黑实木，以斧削手法做出交叉 V 型斜撑椅腿，向外张开，硬朗几何构架承托起柔软坐包，刚与柔形成强烈对冲。 摒弃多余修饰，低矮倾斜靠背，没有繁复轮廓，既可作为空间里的黑色雕塑，亦提供慵懒下沉的落座体验，适配当代、中古风、侘寂多种空间语境。
The inspiration comes from the concept of looseness in the slipper shoes, creating a low slung chair without armrests. On one side is the warm and wild nature inherent in the cowhide material, and on the other side is the sharp geometric bracket carved from solid wood. Without reconciling the contrast between the two materials, allowing softness and sharpness to collide directly, it is both a resting seat and a static spatial sculpture. The seat and backrest are covered with black horsehair, which has a fine and delicate texture. The natural hair flow texture is soft and flowing in low light, calm and rich in high-end wild texture. The bottom is made of carbon black solid wood, and the cross V-shaped slant support chair legs are made by means of axe cutting. They open outwards, and the hard geometric framework supports the soft seat bag, forming a strong opposition between hard and soft. Abandoning unnecessary embellishments, with a low and sloping backrest and no intricate contours, it can serve as a black sculpture in the space and provide a lazy and sinking seating experience, suitable for various spatial contexts such as contemporary, medieval, and wabi sabi.
